Sebastian La Diocesi di Roma: XXII Prefettura nelle vie dell'Ardeatina – ACI Stampa. The single entrance has a molded doorcase with the molding running round a dedicatory inscription above the lintel, which is topped by a winged putto's head sheltered by a floating gable cornice. The actual chapel is accessed by a matching pair of curved staircases flanking the shrine. The name of the road does not refer to the churches found on it, but to the seven traditional pilgrimage basilicas. Take your favorite fandoms with you and never miss a beat. If the latter, waiting until the Mass is finished can be an opportunity to view this chapel, which is otherwise kept locked (but please don't disturb those giving their thanksgiving). The second storey has three identically sized rectangular windows with raised segmental pediments. Other traditional details, including the year of his martyrdom as being 288, derive from a 5th century legend which is now regarded as fictional. The saint had done this barefoot, hence the blood under his toes. Front. The most notable of the collection of surviving fresco work is a Nativity, which features the traditional ox and donkey and is claimed to be the oldest such depiction. Built originally in the 4th century, the basilica is dedicated to St. Sebastian Between these is verde antico revetting embellished with gilded stucco work and containing a niche with a statue of St Fabian by Pietro Francesco Papaleo. Ponzio died in 1613 and work was continued by Giovanni Vasanzio, who provided the ceiling and finished the façade. 06 78 87 035. When the tour is assembled, the guide will take you down a set of stairs to the left at the far end of this room. St Quirinus was a bishop of Sisak in Croatia, then Siscia in the Roman province of Pannonia Prima. The dimensions here were originally 74 by 28 metres, typical for the set of six. The first chapel on the right side of the nave is the Chapel of Relics, which was commissioned in its present form in 1672 by Cardinal Francesco Barberini and originally sponsored in 1625 by Elector Maximilian I of Bavaria. San Sebastiano fuori le mura. It is thought that the catacomb galleries began to be excavated around the same time -they were to extend over four levels (the uppermost of which has been mostly destroyed). The work is unusual in that it shows the saint recumbent, and is in white marble with gilt bronze arrows. The chapels and other items of interest around the side walls are described anticlockwise, beginning at the entrance. It is thought to have been constructed during the reign of Constantine. This entire complex is identified as a cult-centre of the Apostles Peter and Paul, the Memoria Apostolorum, which is the subject of a long-running scholarly controversy. Get the BillionGraves app now and help collect images for this cemetery! There are 5 ways to get from Rome to San Sebastiano fuori le mura by bus, subway, taxi or foot. St Sebastian's outside the Walls In 1672 this was Cardinal Francesco Barberini, who had the nave floor re-laid and a grille provided so that pilgrims could look into the Crypt of St Sebastian while in the church. Burghesius). The altarpiece by Archita Ricci 1614 shows the saint in prayer after a penitential procession during an epidemic of bubonic plague. In the break hangs a floral swag. San Sebastiano fuori le mura appare improvvisa al camminatore che lento percorre l’Appia Antica, quasi non volesse immediatamente ostentare la sua infinita bellezza. The hollow of the Piazzuola was filled in, and its mausolea buried, to provide a platform for a trapezoidal courtyard, 23 by 18 metres. The next arch contains an altar dedicated to St Frances of Rome. This allowed access to the triclia. Each of the entrance bay side walls starts with three recessed panels, the third above the entablature, then comes a close pair of pilasters. - da Marzo a Ottobre dalle 7.00 alle 18.30; - da Novembre a Febbraio dalle 8.00 alle 17.30. From 1988 to 2000 there was a major campaign of restoration of the fabric and artworks. San Sebastiano fuori le mura (Saint Sebastian outside the walls), or San Sebastiano ad Catacumbas (Saint Sebastian at the Catacombs), is a basilica in Rome, central Italy.Up to the Great Jubilee of 2000, San Sebastiano was one of the Seven Pilgrim Churches … The complex was put in the charge of monks called Cistercensi Riformati, but the abbacy of the monastery was filled by a cardinal protector (note that the church was not then titular). The western mausoleum is gone. Grazie! The road is very busy, and the experience will be nasty at best and perhaps risky. The catacombs in the suburbs were stripped, abandoned and lost to view. Visible are SS Peter and Paul, a Crucifixion, saints, The Massacre of the Innocents and a Madonna and Child. San Sebastiano fuori le mura, uno dei gioielli dell’Appia Antica. The outside wall also contains 4th century fabric, and behind the high altar there are remains of original fresco decoration imitating marble revetment. The reason for this was originally so that a chariot racing round the outside of the curve would travel exactly the same distance as one on the inside. This is why St Sebastian has his own side chapel. Opposite the Albani Chapel is a doorway into what is called the Navata Esterna. Over the windows are scallop shells. The near one shows the arms of Cardinal Scipione Borghese, (again) and the middle one has a superb carved depiction of the martyrdom of St Sebastian by Annibale Durante. Fazia parte das sete igrejas visitadas pelos peregrinos por ocasião do jubileu. In the north-west corner of the courtyard was a re-used vaulted room originally associated with the "Large Villa", now mostly destroyed. Hence this space is called the Museo dei Sarcofagi. Graffiti showing the dove and a fish will also be shown, but to be fair if you want to see impressive catacomb artworks you need to visit one of the other open catacombs. This is obviously as a result of the Franciscans taking over the administration of the basilica. Visite guidate a Roma. The far arch frames a rectangular niche containing the high altar. The evidence presented for a 1st century date for the catacombs is discredited. He moved the saint's remains into his present chapel, providing the noted sculpture there now, and converted the former shrine into the Chapel of the Relics. This used to be for the saint's shrine-niche in the catacomb, in a level abandoned perhaps in the 9th century. By then, vineyards had been laid out along the Via Appia as far as the basilica. This was paved in brick, and had porticoes with piers on its northern and eastern sides. To the south of the Navata esterna are well-preserved twin 4th century apsidal mausolea, standing side by side and sharing a side wall. Look behind you, to the east, and you will see a circular ruin of the Mausoleum of the Uranii (about 349). The near wall of this was continued as a large, vaguely square enclosure containing no buildings, then was joined up via re-used walls of mausolea to another, larger trapezoidal enclosure to the north of the basilica which contained a complicated set of walls focusing on two free-standing edifices. The Cistercian monastery reached its apotheosis when it became the Generalate of the entire Order in 1699 under Cardinal Giovanni Maria Gabrielli as Abbot General. Eppure questa basilica di Roma, una delle sette chiese giubilari, testimone di un passato lontano, cela … Tra le parrocchie attualmente affidate ai frati francescani, San Sebastiano fuori le mura è la prima a Roma e una tra le primissime in tutta Italia. The Cistercian monks remained in possession of the church, and continued to administer the site when the church was made parochial in 1714 (even though administering parishes was not in the Cistercian tradition). It is by Archita Ricci 1613. Against this building was a rectangular edifice with apse and narthex facing the basilica, but not connecting to it. Here, the figure of the saint and the angel holding a palm branch are in the round, on a painted background. It asserts that he was imprisoned for twelve days without food before being thrown into a well. This is neglected, and is easy to miss. (This artist also executed the cupola fresco at San Giuseppe alla Lungara.) Up to the 19th century, pilgrims would use this route (then a country lane) as a short-cut from San Sebastiano to San Pietro in doing the tour between the seven. Leggi di più. So, in the basilica a procession of people standing shoulder to shoulder could start at the bottom of one aisle, process round the curve and back down the other aisle without getting out of step. Despite this, the Order kept the patronage. Above is a little white marble tabernacle by Mino da Fiesole, 15th century. Hence the space is also called the Lapidary Museum. Kept in the sanctuary is a painting of The Preparation of St Sebastian for Martyrdom by Pietro Sigismondi 1618. Either it was hoped that the remains contained jewellery, or it was delusively imagined that everybody buried in the catacombs might have been a martyr and so their remains amounted to relics. One advantage accruing to the basilica was that the public amenities at San Callisto involved a new driveway from Domine Quo Vadis past the catacombs to the basilica, which means that pedestrian visitors to the latter do not have to walk down a narrow walled section of the Via Appia. Walking down the Via Appia from here is genuinely frightening, because the road is narrow with walls and is busy with traffic. 20 Dicembre 2020. These used to have frescoes thought to be of the 5th century, when the edifice was built, but these have perished. The arches in the nave side walls do not form arcades. Note the two little dragons on top of the pilaster strips. Before 1970 they were celebrated together liturgically, but now any priest who wants to say a sanctoral Mass on that day must choose one or the other. Rear entrance. The catacombs are open Monday to Saturday 10:00 to 16:30, and are closed on Sundays and in December. There is a tall lantern with round-headed window slits, having a little lead cupola with a brim looking rather like a 17th century helmet. The former read unum ex quinque altaribus ("one of five altars"), which is a reference to the gaining of an indulgence for visiting the basilica and praying at an altar. A convent was also established here. There was a major change in about the middle of the 3rd century. On first entering the basilica, those expecting a mighty church like the patriarchal basilicas will be disappointed. See a good (if slanted) summary of this here. Cari fratelli e sorelle, sembra che il tempo non è tanto buono, ma vi dico buongiorno lo stesso! There is a tower campanile at the start of the ambulatory on the left hand side, a simple brick tower having a single arched sound-hole on each side of the top storey and a pyramidal tiled cap. The trapezoidal portico on the east side was more substantial -the so-called Triclia (so-called because it is thought to have been the setting for funerary banquets), and this also had figurative frescoes. It appears that the initial floor levels in the nave differed, and that the eastern part of the nave (east of the Albani Chapel) was about two metres below the western part which had a level about the same as now. This edifice was replaced by a row of three smaller earlier mausolea, the lower courses of the easternmost two being preserved in rooms in the monastery. This is a large marble box containing a famous statue of the dying saint by Antonio Giorgetti, one of Bernini's pupils. There are various interesting items of ancient carved stonework to look at here while you wait, including lots of epigraphs and several superb sarcophagi. San Sebastiano fuori le mura San Sebastiano fuori le mura, or San Sebastiano ad Catacumbas, is a basilica in Rome, central Italy.Up to the Great Jubilee of 2000, San Sebastiano was one of the Seven Pilgrim Churches of Rome, and many pilgrims still favor the traditional list. It is on record that the aisles of the original basilica had been walled up to create the ground-plan of the present church by the end of the 13th century, and this might have been done in Pope Honorius's restoration. According to St Ambrose, he had been an expatriate from Milan. Attempts to find Christian motifs in the decoration of these mausolea have been discredited. Records:. Some ended up (allegedly) at Soissons in France, and the head was enshrined under the high altar at Santi Quattro Coronati. This used to be at one end of the narthex of a large mausoleum with an apse, which has otherwise vanished. This was fronted by an atrium on the site of the present courtyard, and had a tower campanile behind it on the left hand side. De San Sebastiano fuori le mura ("Sint-Sebastiaan bûten de muorren"), of de San Sebastiano ad Catacumbas ("Sint-Sebastiaan op de katakombes"), is in basilyk yn Rome, Itaalje. Pilgrimage visits to the basilica were seriously encouraged by St Philip Neri, who originated the Seven Churches devotion. The far right hand side of the nave has a large entrance portal into a domed side chapel dedicated to Pope St Fabian (236-250) by Pope Clement XI, nicknamed the Albani Chapel after his family (which was originally from Albania!). The left hand, west entrance of this doublet was wider, wtih two pillars. Unfortunately the gate is usually kept locked, so you may have to content yourself with peering through them. Both of these edifices were entered via an outside path following the basilica wall. Le traccie degli Apostoli nelle Catacombe. The have has a pair of small external chapels near the entrance, on a segmental plan. In front of the aedicule are two busts of SS Peter and Paul, on identical square free-standing pillars in black-veined marble. On the corresponding right hand side, a two-roomed edifice was entered from the bottom right hand corner of the basilica -this is the so-called Mausoleum of the Five Sarcophagi. Cardinal Martínez Sistach The Innocentiores one has the best vault, with lotus and acanthus leaf decoration and a peacock. This belonged to an original 4th century annexe of the basilica, which was later mostly demolished and replaced with a row of three apsidal mausolea. The sanctuary is raised by three steps, and is delineated by pin balustrades. This entablature is taken down the side walls and terminated at the triumphal arch of the sanctuary. We know the name of the owner of the third one, as his epitaph is still in place. As a result, the Church undertook a campaign of bringing all the venerated relics of martyrs within the city walls, where they were re-enshrined in the various churches. These two rows flanked a lane leading off the Via Appia, and to the south-west was was built the so-called "Large Villa" in the same century. The vestibule here has a depiction of God the Father with Saints by Antonio Carracci. To the left of the nave was a large tower campanile of four storeys, the upper two being above the roofline of the nave and having a large arched soundhole on each face. The earliest records mentioning the administration of this, which date from the 12th century, ascribe it to the canons of the Lateran. 2018 - Provincia San Bonaventura dei frati minori. The present arrangement is a result of the restoration by Ponzi, who dug away the ground to create a gradual slope from the street to the church façade. The six columns of the original portico were re-used, and it is claimed that these came from the original basilica. La basilica di San Sebastiano fuori le mura è un luogo di culto cattolico di Roma, nel quartiere Ardeatino, sulla via Appia Antica al numero 136. The corridor from the monastery to the Platonia was extended through two previously existing rooms between the apse and the latter, to reach the sacristy. Serious scholars should seek permission in advance of a visit, to view material on display. The church frontage featured an external loggia with a single-pitched tiled roof, supported by an entablature and six columns forming five portals. Review of Basilica San Sebastiano Fuori le Mura. However the San Callisto catacomb is shut on Wednesdays, and apparently this driveway is too. Apostoli Pietro e Paolo e li "nascosero" There is a mid 7th century reference to the ecclesia Sancti Sebastiani, which is the earliest evidence for the change of name from the Basilica Apostolorum. Each loculus was for a single body (although more than one were often accommodated), and was sealed after an internment. One intriguing clue is that the circiform basilicas had their entrance ends on a slight diagonal to the major axis, as did ancient Roman circuses. The current cardinal priest is H.E. The central mausoleum, separated from the eastern one by a passage that also used to be an alleyway, also survives as a room in the mausoleum. The Depositio Martyrum, included in the Chronography composed in 354, mentions a feast St Peter in catacumbas and the Martyrology of Jerome of the 6th century (?) (These emblems occur elsewhere in the church.) He was a doctor of medicine, and chose to be buried here because St Sebastian was a patron of plague sufferers -he died of it himself. Rome2rio makes travelling from Sorrento to San Sebastiano fuori le mura easy. This led to a passage that ran under the nave to three burial chambers, from which visitors were taken on a route which doubled back on itself twice before emerging up another set of stairs on the right hand side of the nave just before the altar dedicated to St Jerome. The floor of the chapel is elevated to make room for the shrine of St Sebastian. It is actually on the ground floor of the main monastery wing abutting on the church on this side, and an exit door into the monastery grounds is in the far left hand corner as you go in. South of this row is the so-called Piazzuola, which was a large cavity in the ground caused by the collapse of a cave-quarry. He had been martyred in 309 and enshrined locally, but when Slav barbarians overran the province towards the end of the 4th century his relics were taken to Rome and enshrined in the Platonia which might have been built for the purpose. Interiors. It is interesting in that the words are run together without spaces, as in an ancient manuscript. The text reads: + In isto loco p[raeter]missio vera est, et peccatorum remissio, splendor et lux perpetua et sine fine l[a]etitia, qua[s] meruit [Christi] martir Sebastianus. The next niche contains a superb cenotaph memorial to Cardinal Giovanni Maria Gabrielli 1711, a Cistercian Abbot General who loved the basilica and monastery and had his heart interred here. The work had to be finished by Giovanni Vasanzio, whose real name was Jan van Santen and who signed off the completed project in 1613. Each pair of pilasters is separated by two blank recessed panels, the upper one rectangular and the lower one round-headed, and over the door is a marble tablet commemorating the rebuilding. The Franciscans have remained in charge to the present day. There are two frescoes. Ponzio was assisted by Giacomo Mola in the execution of the project. Italiano: San sebastiano fuori le mura è una chiesa di Rome in Italia. Only the aisles and sanctuary might have been roofed, and the centre of the nave left open to the sky. There should be a model of the ancient basilica and catacombs here as well. The nave of five bays has no side aisles, but instead arched recesses containing side chapels. It demonstrates the typical catacomb layout, consisting mainly of galleries with horizontal niches in their walls called loculi. An unprovable hypothesis is that Christian interest in the site existed because the St Peter had his headquarters here when in Rome. The right hand arm contains a depiction of Pope St Fabian Consecrates the Emperor Philip by Giuseppe Passeri, and the left hand one The Election of Pope St Fabian by Pier Leone Ghezzi. Padre Carlo D'Andrea, una vita accanto alla gente e ai poveri – Romasette.it. If so, it is pretty certain that they were pillaged from an ancient edifice somewhere. The molding of the window frames is taken around panels above their lintels. Finally behind the apse and ambulatory, just to the left of the major axis, is the so-called Platonia which is an irregularly polygonal structure with its own rather haphazard tiled roof slightly lower than that of the ambulatory. San Sebastiano fuori le mura (Saint Sebastian outside the walls), or San Sebastiano "ad Catacumbas" (Saint Sebastian at the Catacombs), is a basilica in Rome.Up to the Great Jubilee of 2000, San Sebastiano was one of the Seven Pilgrim Churches of Rome, but many pilgrims still favor the traditional list.. History. It has a central lantern. Oant it jubileumjier 2000 wie de tsjerke ien fan de sân pylgertsjerken fan Rome. It is north of the "Large Villa" and consists of a small courtyard in black and white mosaic. On the ceiling is God the Father with Saints by Pietro da Cortona 1618, and on the wall is a badly perished Madonna and Child with SS Sebastian and Lucina by Marco Tullio Fontana. To the right in the courtyard is the modern entrance to the catacombs, where you buy your ticket. It should be remembered that these were not part of the catacombs originally. Then comes one of the doorway arrangements just described, and finally another pilaster pairing with the near hand one of the first arch. The Cistercian monastery was suppressed by the French at the start of the 19th century. This space, as well as the three edifices following, is not usually open to visitors. It is worth looking at the exterior of the monastery and church if you can, by passing through the exit door in the Chapel of the Crucifix. San Sebastiano fuori le mura è stata eretta parrocchia il 18 aprile 1714, con bolla di Papa Clemente XI. A list of relics here is given as follows: A spine from the Crown of Thorns; a finger, a tooth and part of a rib of St Peter; a tooth of St Paul; an arm of St Andrew; part of the head and an arm of St Fabian, with other bits in a lead casket; the head of Pope St Callixtus; the head of Pope St Stephen I; an arm of St Roch; parts of the heads of SS Nereus and Achilleus; relics of SS Valentine, Lucina and "Avenistus" (? The former depicts an utterly fictional occurrence, based on a legend (itself false) that the emperor Philip the Arab was a Christian. This altar is dedicated to Pope St Stephen I, whose relics are enshrined here. The dedication of the altar is to the two apostles. There was a semi-circular chapel on the right hand side of the nave, the ancestor of the present Chapel of the Relics. The middle doorway on the left leads into the rectangular Chapel of the Crucifix, formerly the sacristy but fitted out by Carlo Fontana in 1727. Above the loggia, the actual church frontage sported a large round window with rose tracery, flanked by the outlines of a pair of blocked round-headed windows. Ha fatto parte delle sette chiese visitate dai pellegrini in occasione del Giubileo, fino al Giubileo del 2000, quando è stata rimpiazzata dal … The next arch is the chapel of St Jerome, with a matching aedicule except that the pediment is segmental. The Campus Rediculi, a sacred enclosure dedicated to the god, was either on the site of Domine Quo Vadis or very close by. St Sebastian. From the apse protrudes the sanctuary dome, which has a low octagonal drum topped by a tiled cupola in eight sectors. Immediately to the left of the church entrance is an inscription extolling the martyr St Eutychius, composed by Pope Damasus and executed by the famous 4th century calligrapher Furius Dionysius Philocalus. This is a smaller set of catacombs than San Callisto, but the total length of passageways is still about eleven kilometres. These are by Nicolas Cordier, nicknamed Il Franciosino. The Via delle Sette Chiese (actually here called a Vicolo) begins with a junction just to the north of the basilica, and winds its way through Garbetella to end up at San Paolo fuori le Mura. The relics of the saint were brought from St Peter's in 1218, and enshrined in a rectangular crypt under the lower left hand side of the present church. The sumptuous polychrome marble and bronze altar is above the shrine, facing out in the nave, and bears an epigraph on a plaque of lapis lazuli which reads: Sebastiano, Christi militi et martyri, ecclesiae defensori, propulsori pestilitatis ("To Sebastian, the soldier of Christ and martyr, defender of the Church and expeller of bubonic plague"). You will get to see a very limited portion of these. The first church (?) That is, the columbaria, "Villas" and Triclia were partially demolished and filled with rubble to form a platfom for the structure which was just over 73 metres long. This had its main entrance to its west, off a road parallel to the Via Appia. English name: This error persisted until the late 19th century. The arches have molded archivolts with strap corbels on their keystones. A visitor to the church in 1600 would have been met with a street frontage of a blank wall with a little pedimented doorway, the triangular pediment being supported by four flanking columns. The left hand doorway was knocked through the side wall of the eastern mausoleum, the fabric of which substantially survives as a room used for parish activities. The sanctuary is apsidal, with a three-quarter cupola having stucco decoration which is entirely gilded. Presumably the previous dedication was to St Bernard, one of the most prominent members of the Cistercians. St Eutychius is a martyr of an unknown date, whose epitaph by Pope St Damasus was recovered by archaeologists and is now on display within the church entrance. These support a segmental pediment with a broken top, and with little curlucues at the broken ends and the outer angles. Roman Catholic Denomination: Hence, the conclusion is drawn that a cult-centre to the Apostles was founded here in that year. Figurative fresco decoration is also discernible, but not enough to make out the scenes. Other articles where San Paolo Fuori le Mura is discussed: Rome: San Paolo Fuori le Mura: San Paolo Fuori le Mura (St. Paul Outside the Walls), a basilica built by Constantine over the grave of St. Paul, the Apostle, was replaced starting in 386 by a structure mammoth for its time. (The name San Sebastiano ad Catacumbas has occurred for the church, but this is actually the cardinalate title). Above, the second storey has four short blind pilasters melding into a blank frieze below the ceiling. He had been a Cistercian monk at Santa Pudenziana, the church of which he chose for his cardinalate title. The doorway beyond the chapel leads to a set of stairs down to the catacombs. The original function of this edifice is unknown, although it was converted into a mausoleum before the basilica was built (the original left hand outer wall cuts through its foundations). For the Holy Year 2000, the status of pilgrimage basilica was taken from this church and transferred to the Santuario della Madonna del Divino Amore for those wanting to obtain the Jubilee indulgence. Notably, the famous archaeologist Giovanni Battista de Rossi triumphantly succeeded in finding the entrance to the inaccessible Catacombe di San Callisto in a vineyard in 1854. This looks odd to modern eyes ("Who? The molded doorcase has its molding taken around a panel above the lintel reading Scipio Card[inale] Burghesius. The archivolt of each arch also reaches the entablature, above which is a large recessed panel (intended originally for a fresco?). Above the door is a mediaeval epigraph provided with a Baroque frame. From the other side of this block a wide corridor or ambulatory with a single-pitched tiled roof runs round the apse, on the line of the U-shaped aisle of the original basilica. Tutte le informazioni sul Santuario Basilica di San Sebastiano fuori le mura a Roma. The details include Borghese dragons and eagles, as well as palm branches of martyrdom. The untrue story of the pope's martyrdom was originally associated with the Catacombe di San Callisto, but when those catacombs were lost to view the ones at San Sebastiano were mistakenly thought to be them. This was restored in the early 17th century, but the relics of the martyr were venerated here in the Middle Ages under the altar. Above is an 18th century fresco of St Philip Neri at prayer in the catacomb. He also added a dome to the remodelled sanctuary, and re-modelled the Platonia which was provided with its own façade. A rose garden that he established here became internationally famous, and he donated a noted library to the monastery when he died in 1711. The wall paintings date to around the year 100 AD, and represent a late development of the so-called Fourth Style of ancient Roman mural painting. The work was completed in 1933. The catacombs originally had four levels of galleries, but the first one is mostly destroyed and the bottom one is dangerous. The dignity as one of the Seven Churches was restored after the work had been finished, and the church became popular as a place of resort to pray against epidemics of bubonic plague. The so-called "Large Villa" is a 1st century AD dwelling consisting of several rooms around a central courtyard with a white mosaic pavement. The inner two columns of the pairs are grey, and these seem to have come from the famous ancient quarry of Mons Claudianus in the Egyptian desert east of the Nile. The so-called "Small Villa" was, in reality, a meeting-place for those assembling to take part in funerary rites. Above is a fresco featuring St Catherine of Siena. It was a rebuilding rather than a reconstruction of the original 15th century portico, with the addition of rooms over the loggia for the church's custodians. There is an ornate set of railings at the entrance, topped by a gilded coat-of-arms. English: San sebastiano fuori le mura is a church in Rome in Italy. The archivolt is actually higher than the ceiling, which has a niche for it, and on the keystone is the Borghese coat-of-arms yet again. The present edifice utilizes the plan of the original palaeo-Christian basilica in a cut-down form, but this is not obvious from the interior and much of the exterior is inaccessible to the gaze of the ordinary visitor. 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